In the quiet ambiance of a lounge near London's prestigious dance company, Matthew Ball requests a mint tea. His posture is effortlessly straight-backed, his limbs muscular beneath a plain white T-shirt. During performances, ballet dancers can appear as mighty gods, yet often in person they are petite. Not so Ball, whose height is part of his popularity for heroic roles and partnering. Possessing fine traits and intense eyes, there's a touch of a brooding actor about him.
A Seamless Ascent to the Pinnacle
At 31, Ball is enjoying the crest of a career that has advanced smoothly. Growing up in Liverpool, he encountered minimal ridicule for his early interest in ballet. Entering the Royal Ballet School at 11, he graduated directly into the company and was advanced each year, attaining the top rank of lead dancer in 2018. He has relished tackling meaty dramatic roles, especially the psychological turmoil found in Kenneth MacMillan's works.
"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."
His next featured role is as himself, in an "In Conversation" event designed to offer behind-the-scenes insights into a dancer's art. He will walk the audience through a role, demonstrating his mental workflow while execution. Even in lighter ballets, the challenge is profound. "A classic ballet is one of the toughest from a skill perspective," he states.
The Mental Struggle and Post-Performance Emotions
How does he feel following a show, when he has succeeded? "It feels pretty good," he admits. "However because I'm trying to extract all the juice out of it, and get lost in the character, frequently I do feel embarrassed afterwards. Following Mayerling I'm always thinking: God, what must people think?"
In person, Ball is thoughtful, polite, and prone to laugh at himself. Yet a dance maker once observed on a "kind of suffering in him." Is there? "I'm quite active in general, but I do have a dark side," he reveals. "I kind of enjoy negativity sometimes. I've always felt that negativity has been an instigator for positive change."
Formative Drivers and Creative Influences
Ball's determination stemmed from early setbacks. Not doing well in contests at school made him "vengeful!" It was fuel to demonstrate he could succeed. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit obsessive," he remembers.
An upcoming challenge is creating his own choreography. For Ball, "organic movement has value." "Breaking the rules is interesting, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be filled with meaning, drawing inspiration from literature, music, and art.
Close-Up Dance and Private Dynamic
He also is interested in presenting dance in smaller spaces. "It was just really exciting," he says of a past show. "You’re so close to the audience. I felt as if they were realizing: 'That’s a person, and they’re perspiring.'"
Ball has made pieces with his partner, fellow principal Mayara Magri. The level of trust between them is evident. "We tried it out on the beach first," he says of a daring lift. "It resembled Dirty Dancing." The couple aren’t typically matched on stage at their main theater, which is perhaps beneficial. "We’re both quite determined people, so it’s not always smooth sailing," he notes. "But I feel like we’re each other’s biggest supporter."
On Social Media and Bodily Image
On Instagram, followers can see clips from his dance films and photos that showcase a athletic physique. Does he care that the response can be a bit focused on appearance? Not really. "The body is just what we use, so I don’t feel very protective about it," he states. He compares it to seeing Michelangelo’s David—an object that can be seen on multiple ways.
Ball characterizes his early self as "eager for success." Has it met his expectations? "I am conscious of how life is a separate thing to the aspirations you made as a child," he reflects. He likely has about ten years of performing ahead. "I suppose in the future, I want to be a bit more kind with myself."